My journey into HDMI begins with this amp.
As some of you know, I have long sat on the sidelines with my legacy HDMI-less AV amp.
Why didn’t I change my amp earlier, simply because I bought this new amp not so much as a replacement but an add-on processor for the new sound formats and also as a HDMI switcher for my Hi Def players, the XE1 HD DVD player and the potential acquisition of a BR player.
My analogue / audio –centric components will still be hooked up to my SR 12, which I have found difficult to replace without spending a princely sum. I have found that speakers and power amps keep their value better, but AV amps tend to loss their value rather precipitously.
Considering the features and functions it contains, I consider it the cheapest AV processor right now with pre-outs. This will be connected to my Pioneer HD ready 507.
Links to problems and issues plus features of this amp are provided here:
http://www.avsforum.com/avs-vb/showthread.php?t=995796
The features:
http://www.yamaha.com/yec/products/product...mp;CTID=5000300
HDMI upconversion of all analog souces. 1080p60hz, 1080p24hz support, Dolby True HD and DTS Master Audio support. Even has a surprise output for 2 subwoofers with possibly seperate level controls!
RX-V663BL 7.2-Channel Digital Home Theater Receiver NOTE: The HTR 6160 is the same receiver as the V663!
High-Performance Home Theater Receiver features full support for HD audio formats, HDMI video up-conversion and de-interlacing, iPod and Bluetooth audio compatibility, improved YPAO, Adaptive DRC (Dynamic Range Control), multi-zone custom installation facility, and four SCENE buttons.
MAIN FEATURES
High Sound Quality
HD Audio format support: Dolby Digital Plus, Dolby Digital TrueHD, DTS-HD High Resolution Audio and DTS-HD Master Audio
7-channel 665W powerful surround sound (95W x 7)
Digital ToP-ART and High Current Amplification
Pure Direct for higher fidelity sound reproduction
Burr-Brown 192kHz/24-bit DACs used in all channels
Assignable amplifiers for bi-amp connection
Advanced Features
4 SCENE buttons offering greater operating ease (with 18 preset SCENE templates)
XM ready with XM HD Surround powered by Neural Surround
SIRIUS Satellite Radio ready
Improved YPAO for automatic speaker setup
iPod compatibility via Yamaha Universal Dock
Bluetooth (A2DP) compatibility with Yamaha Bluetooth® Wireless Audio Receiver (YBA-10)
Superior multi-zone control compatibility
High Picture Quality
1080p-compatible HDMI (2 in/1 out)
Supports Deep Color (up to 36 bit), x.v.Color, a double speed Refresh Rates of 120Hz and 1080p/24Hz transmission, and Auto Lip-Sync compenzation
Analog video to HDMI digital video upconversion and deinterlacing with TBC Surround Realism
• Fine-tuned CINEMA DSP and Adaptive DSP level
Improved Compressed Music Enhancer
Adaptive DRC (Dynamic Range Control)
Other Notable Features
XM Satellite Radio ready with XM HD Surround powered by Neural Surround
SIRIUS Satellite Radio ready
40-station preset tuning / Auto preset tuning
HD Audio LPCM 7.1-channel reception (up to 192kHz)
High dynamic power and Linear Damping
Low Jitter PLL Circuitry
Assignable amplifiers for bi-amp connection
Initial Volume and Maximum Volume Setting
iPod song titles displayed in English and Western European languages ISO 8859-1 (Latin 1) on the front panel and on-screen display
SILENT CINEMA and Virtual CINEMA DSP
Dialogue Lift for dialogue to screen center
Preout terminals for front, center, surround and surround back, and dual mono subwoofer out
9 selectable subwoofer crossover frequencies
Subwoofer phase select
8-channel or 6-channel external input
Speaker A, B, A+B selection
Preset remote unit
Yamaha RX-V663 Official Website
Yamaha RX-V663 Manual
http://www2.yamaha.co.jp/manual/pdf/av/eng...e/RX-V663_U.pdf
The best advice I can give you is to first read the manual, then this FAQ, then ask your question if you still don't understand. In fact, I will label each section of this FAQ with the appropriate pages of the manual so you can do your own research. Almost all of my advice came from reading the manual and testing stuff out. Some members (not including myself actually) are bothered by simple questions, so please show some courtesy and try to figure out your problem first before posting.
INDEX
1. Why buy the 663 over other receivers?
2. Why buy the 663 over the 863?
3. What is the best price I can get?
4. Known issues
5. General Background on HDMI as related to the 663
6. Connection tips
7. Best setup for other devices (TV, DVD, etc.)
8. Yamaha Sound Field Discussion
9. How to optimize your speakers (YPAO)
10. Why is there only (2,5) lights lit up on my receiver when I am using more speakers than that?
11. Should I bi-amp my fronts with the surround back terminals?
1. Why buy the 663 over other receivers?
I will layout why I chose this receiver over the most popular alternatives available when I was shopping. This is really just a summary of what I gathered from reading the respective threads on avsforum.
Onkyo TX-SR605 - This receiver is notorious for speaker popping issues, heat risks, and the inability to matrix 5.1 pcm to 7.1. I was dead set on this before the 663 was announced.
Onkyo TX-SR705 - More expensive, power increase negligible, noticeable hdmi syncing issues, slight heat issue.
Yamaha RX-V661 - No transcoding to hdmi, no internal decoding of TrueHD and DTS-MA
Pioneer 1018 - This receiver isn't out yet, so comparing them is really trivial at this point. Many have opted to wait for this instead, though.
2. Why buy the 663 over the 863?
Price. Why spend $400 more for one extra hdmi input, a negligible amount of power, a phono input, and upconversion to 1080p? It just isn't worth it, especially at this price point. See this thread for why upconversion/upscaling is generally a joke. Long story short: regular DVD content is 480i, your TV most likely already scales the signal anyway, everything else is just making up info where it wasn't before.
3. What is the best price I can get?
When this receiver was announced, it was discussed in great detail how to get this receiver for $400 shipped from J&R. You can still do this to this day. Simply phone in your order (price not available online) and request the receiver for $400.
Recently, someone reported purchasing the receiver for $350 shipped from 6ave.com. This may or may not be available, you'll have to check.
It has also been reported that the Best Buy employee discount price is $320, so if you know someone who works in an electronic store...
If you find a price lower than $350 shipped, please check the Yamaha website (link above) to ensure that the seller is an authorized dealer. If not, potential headaches await you if your receiver is faulty. Yamaha only honors their warranty if you bought it from an authorized dealer. Is the warranty really worth $20? I think so, you may disagree.
4. Known Issues
If this receiver decodes a bitstream HD audio source, it cannot matrix it from 5.1 to 7.1. If the source is 7.1, there is no issue. If the player decodes the audio and sends it as PCM, there is no issue. The 5.1 to 7.1 issue only happens when you try to make the receiver decode and matrix. This should only affect you in the future if/when players stop decoding audio and can only send them as bitstream.
When you switch from an analog video source, such as the on screen display (OSD), to a digital source, such as HDMI, your picture may be green or generally discolored. This is an hdcp handshake issue and can easily be resolved by switching to another digital source and back. This problem does not occur every time; in fact, I only see this issue with my 25ft PC DVI->HDMI connection. Others have reported the problem with older cable boxes.
The remote control has 2 power buttons, one for turning on the unit, and one for turning off the unit. This can be troublesome when programming universal remotes. My dish network remote can only turn on the receiver; I can't find a way to program it to turn off the receiver. Harmony remotes can easily be programmed to control both power buttons, so it's not really a big issue, just something to be aware of.
This receiver has been reported to not pass Blacker Than Black. The HDMI standard says that video should use level 16 for black and level 235 for white, but most other receivers do full BTB. This one doesn't.
5. General Background on HDMI as related to the 663
A lot of people ask questions about converting to hdmi, transcoding hdmi, etc. so I thought I'd put my most common answers here.
(19 manual, 23 pdf) You can transcode every possible input except 1080p component (xbox360) to hdmi. You cannot convert hdmi to anything else. This is not a receiver thing, it's an hdmi rule.
(18 manual, 22 pdf) This receiver can upconvert 480i analog to 480p, but it doesn't do any other kind of scaling/upconverting. See thread above about why upscaling is usually a joke anyways.
If you want to have HD audio, such as TrueHD or DTS-MA, you must use hdmi. Optical and coaxial digital do not have the bandwidth to allow hd audio.
Don't worry about buying $80 monster hdmi cables. $6 monoprice cables work just fine.
6. Connection Tips
(93 manual, 97 pdf) Many people are puzzled by the labels on the back of the unit. Every input can actually be renamed and relabelled, so the words on the back are really just guidelines for quick setup. This is not true for analog audio (red/white or Left/Right) and composite sources however; when you call the VCR source, you can only call the vcr analog audio or composite. In other words, You can call any component or digital audio input for the vcr source, but you can only call the vcr analog input. There is no way to reassign analog audio/video sources.
Example: I have a nintendo wii, which has component video and analog audio. I connect the audio to the vcr analog input and renamed the vcr input as "WII". I then assigned Component C to the vcr (WII) source. When I hit the vcr button on my remote, it calls Component C for video and whatever is hooked up to the vcr analog input for audio.
You can reassign more than one video/audio input for each source button, but the higher quality source will always take precedent. Therefore, if you want to use one source button for more than one input, make sure the higher quality unit is turned off when you want to use the lower quality input.
Example: I have my Wii and PS2 hooked up to vcr (PS2 analog (yellow) video to vcr analog video, ps2 optical to optical 3, wii video to component C, wii audio to vcr audio). If both are on at the same time, I will get PS2 optical audio and wii component video.
(100 manual, 104 pdf) Here are my connections for all my devices, which enables me to use the yamaha remote as a universal remote for everything except the PS3.
PS2: Analog VCR Video, Optical 1 Audio. I use the VCR Button on the remote to call this input.
Wii: Component C Video, Analog VCR Audio. I use the VCR Button on the remote to call this input.
PS3: HDMI 1. I use the DVD Button on the remote to call this input.
HTPC: HDMI 2 Video, Coaxial 1 Audio. I use the DTV/CBL* Button on the remote to call this input.
Dish Network DVR: Component B Video, Optical 2 Audio. I use the DVR Button on the remote to call this input.
*I use the DTV/CBL for my HTPC because the remote can only control one unit per source and this is supposed to be set to control your tv. I have nothing to control on the pc with the remote anyways, so it works.
If I had an xbox360, I would connect the video directly to my tv via component to get 1080p, and coaxial to the receiver for audio.
I prefer the source buttons (DVD, DVR, VCR, etc.) to the scene buttons (1,2,3,4). The scene buttons were incredibly frustrating, but you may disagree.
7. Best setup for other devices (TV, DVD, etc.)
For your tv, search avsforum for the best settings for hdmi on your tv. The settings for my Sony KDL-40V3000 are amazing.
For your dvd player (normal, blu-ray, and hddvd), if bitstream is available, use this. Make sure dolby digital and/or DTS are turned on, or you won't get digital audio. This ensures that the audio decoder you are using shows up on the front of the diplay, which a lot of people are worried about. If you use pcm, it won't tell you the decoder you're using because you won't be using a decoder.
One caveat: If your hd audio source is 5.1, but you want 7.1, you must use the player to decode the audio so the receiver can matrix it to 7.1. Switch to pcm to do this.
For your ps3, set it to pcm. The ps3 cannot output truehd as bitstream, so it must do the decoding for you. You cannot get the receiver to show TrueHD on the front panel with the ps3 (it will show the tiny graphic, but not the big letter display).
For your wii, make sure you have the tv type set to 480p and 16:9. The games still look good when transcoded to hdmi, unlike other receivers I've heard of which stretch the video. Also, set the audio to dolby digital PLIIx
For your ps2, I use analog video because the receiver can convert 480i to 480p, so component progressive scan with the ps2 is not necessary. By using analog video, I am able to combine the ps2 and wii in to one source button (vcr in my case). The yamaha remote can control the ps2, in case you were wondering.
8. Yamaha Sound Field Discussion
(72 manual, 76 pdf, yamaha article) The yamaha sound fields use the data collected during YPAO along with the appropriate digital decoder to optimize the sound for your room. I would suggest trying each out for it's respective situation, but if you aren't satisfied, switch to straight or surround decode. I currently have a 5.0 setup but for a few weeks I had a 3.0 setup. I found the sound fields useful when I only had 3 speakers, but now that I have surround speakers I stick almost exclusively to surround decode. I try to minimize as much as possible the amount of processing done to the audio.
If you have 2 channel sources but want more than 2 speakers running them, try surround decode PLIIx. Use Movie for movies/tv and Music for music sources. You don't really lose much by not having speakers for the extra data, but if you want to try to use the extra data try one of the sound fields.
9. How to optimize your speakers (YPAO)
(32 manual, 36 pdf)
Yup, that's all I'm gonna tell you. Completely described in the manual.
10. Why is there only (2,5) lights lit up on my receiver when I am using more speakers than that?
The lights indicate the input channels, not what's being output. This let's you know if you're getting the dolby digital or truehd you want, not whether you are using them effectively.
11. Should I bi-amp my fronts with the surround back terminals?
Read this article to see if it is practical for you to do it. I didn't feel like doing internal surgery on my speakers, so I left it alone.
Right now you can get it locally for $8xx, eg at KEC, but since I was travelling in USA, I managed to score a set 110v of course at a nice price. The lowest recorded price in AVS was $350 and that is much better than what I got, I won’t be posting my price, but I still got a chunk off the local price.
How about the problem of voltage? I would not advice new users to get a 110v just to go cheap, but in my case I am using it as a processor so the current drain and the effect of the transformer on this will be minimal. Now after importing a few 110v items from USA, I feel comfortable using this.
I will be putting my Belkin power conditioner between this and the New Star 500W or 1000W transformer.
The nice things for me about the new amp are:
- front presence speakers
- YPAO – always wanted to try it but I will also manually calibrated my system
- New loss formats – TruHD and DTS-MA
- The 4 scenes buttons
- DSP modes for sheer fun
- HDMI OSD
- Not afflicted by the DTS-MA bomb (popping sound)
I am not concerned about the lack of a upscaling chip and prefer this, as my sources will be in full HD anyway and require no further processing.
Other forums:
http://forums.highdefdigest.com/showthread.php?p=756393
http://forums.audioholics.com/forums/showthread.php?p=375032
http://www.avsforum.com/avs-vb/showthread.php?t=995796
So after hauling this baby across Florida to Philadelphia and finally to New York, I have developed fairly muscular arms.
So I finally get it home to setup:
Some background info:
As some of you many know, I have a dip in the 28--32 Hz region, which I identified through a room frequency sweep. Moving the sub improved things a bit (thanks bass meister)
But the bass meister's advice was to add more to this region. Since I managed to score a Velodyne miniVee for a really good deal in USA, I will use this to pad things up a bit.
My hookup:
For my equipment list, please see my signature
Yamaha RXV 663 as a pre-processor --- to --- Marantz SR 12 as a power amp via the 7 analogue inputs in 'direct mode'. Input volumes set at 0 db.
The SR 12 will continue to function as my main stereo amp, with the CD player and other non Hi Def components connection to it. My main speakers i.e. all speakers except the subwoofers will also be connected to the Marantz.
Toshiba XE1 & most likely a PS 3 via HDMI to the Yamaha. They will also be connected with digital optical and coaxial to the Marantz.
The two subs will have a direct input from the Yamaha to one of their inputs. In addition, I will also patch a cable from my plasma sub out to the SVS. The second input to the Velodyne will be from my Marantz for times when I use the Marantz only.
So my ops plan:
- pre setup --- get home
- phase I
hookup the spagetti mess and use the YPAO auto-setup
I will use the front setting since my front 3 speakers are fair better than the rest
- phase II
check the YPAO settings and tweak as needed esp the distances and crossover
- phase III
get bass meisters to help
- phase IV
re tweak the system and sub position in a few weeks.
YPAO:
Calibration:
The YPAO system is pretty accurate, getting the distances, phase and speaker type right mostly but the crossover was too high at 120Hz
The test tones took less than 5 mins
Within minutes I had DTS-MA from my XE1 playing Terminator II running. Not bad.
The marvel of new technology when it works is lovely. I deliberately waited until the HDMI business was into its 3rd or 4th iteration before jumping onto the bandwagon and the stability of the Yamaha 663 platform shows. Synchronisation is simple and smooth.
Connections:
I use Mogami cables from the pre-outs of the Yamaha to my Marantz
Audioquest subwoofer cables and a 'tan ah kow' brand - will be getting some more later
Monoprice HDMI cables
Xindak, Furatech and Wireworld power cables
Newstar 2000w 'reverso' transformer which can do 110 to 220 and vice versa.
I run the current to a Belkin Power conditioner the PF 30 to clean up the power after the transformer before i plug in my Yamaha and Velodyne.
The Marantz has a multichannel direct input, and I set the volume at -15db with a +10Db boost across all channels. The Yamaha is set at a volume of -20db for calibration.
So how does it all hang together?
The Yamaha is a fine processor and since it has to only drive a pair of ‘front presence’ speakers, is a calm machine, and all signal changes are smooth and fuss free. The words on the amp display are legible and the controls intuitive. I wish that there was a menu pad on the amp itself, so you do not only rely on the remote.
Speaking of the remote, my USA model will be slightly different from the local one, mainly in the absence of a switch at the side and opting for some re-arrangement of control. Otherwise it falls into my palm quite nicely for a one hand operation.
Tomorrow when I am less jet lagged, I will continue with the description of the sound quality etc….
