Before I get started,
New Zealand specific information is in Blue, Australian specific information is in Red.
Some receivers have a "switch" called "antenna power". Please leave it off. It is to power masthead amplifiers.
Most outdoor antennas will short this "antenna power" out. The receiver will limit the current to prevent a major failure, in most cases it will just waste electricity continuously, unless the receiver is unplugged at the wall.
Most masthead amplifiers in this country use a "power injector". This blocks any DC or low frequency signal going to the receiver. Thus the receiver is protected and the power. The power injectors are typically a low voltage AC. This prevents corrosion in the cabling. This injector must be in the power pass output of any passive splitter otherwise the masthead amplifier will not be powered.
All planning for the allocation of TV channels, coverage areas and polarisation is made by the Australian Communications and Media Authority (ACMA), Radio Spectrum Management
Channels
TV Bands
TV band 1 channels 0-2. 45-70 MHz
TV Band 2 Channels 3-5 85-108 MHz, yes, this includes the FM radio band
TV channel 5a was only used in Australia and is being phased out
TV band 3 channels 6-12, 174-230 MHz, includes VHF DAB+ Digital Radio
TV band 4 channels 27-35 519-582 MHz
TV band 4+ channels 27-50, 519-687 MHz
TV band 5 channels 36-69 582-820 MHz
Suggested UHF bands (To give equal output regardless of frequency (channel number)
X = Channels 27 - 40 (519 - 617 MHz)
Y = Channels 41 - 55 (617 - 722 MHz)
Z = Channels 56 - 69 (722 - 820 MHz)
Bands 1, 2 and channel 5A will not be used for digital TV anywhere in Australia.
Band 1 Channels 1-3 44 - 68 MHz Analog only
Band 3 Channels 4 -12 174-237 MHz DAB+ Digital radio Analog TV only
Suggested bands (To give equal output regardless of frequency (channel number)
X = Channels 27 - 35, 38 (518 - 618 MHz)
Y = Channels 39 - 50 (618 - 710 MHz)
Z = Channels 51 - 62 (710 - 806 MHz)
Scaled drawing including dimensions on page 1
Real Channel Numbers and Logical Channel Numbers
The receiving section of TV receivers work on the channel numbers indicated in TV Bands. If you wish to add an additional transmitter to repeat the program in an adjacent area you will have to use another channel, otherwise there will be interference between the signals. To use the same channel the transmitters must be at least 400 km apart. (Digital SFN are excepted. SFN is a Single Frequency Network which has repeaters on the same channel in the same coverage area. The signals from each transmitter must be made identical a point halfway between the transmitters. This does not work in analog.)
Since the metropolitan networks use their main transmitter's channel number as the network name (eg, 7, 9, 10) for digital TV they transmit a logical channel number This means that the receiver may be using channel 69 but the program name as displayed on the front of the STB may be 7 for example.
In installation the STB usually will show the real channel number, as well as the LCN.
Where there is a translator in the same coverage area as the main transmitter, the receiver may be able to receive both. One more reliably than the other. Since automatic channel scan usually starts at channel 6 and finishes at channel 69, the low channel numbers are given the LCNs. When the receiver detects the same LCN on another channel it may allocate it a LCN of between 350 and 399. This is what is displayed on the screen or the front of the STB. To fix this you have to select the LCN and then manually scan for the better signal.
Logical Channel Numbers (LCN)
The network is identified by the LH digit displayed on the front of the STB. It is also used by the remote control for channel selection.
1 = TEN Network
2 = ABC
3 = SBS
4 = Miscellaneous (including Datacasting)
5 = TEN affiliates (eg. Southern Cross)
6 = Seven affiliates (eg. Prime, GWN)
7 = Seven Network
8 = NINE affiliates (eg. WIN, NBN, Impaja)
All digital transmissions are capable of being split to carry multiple programs. (eg ABC and ABC2)
Polarisation
Drawings of both polarisations on different antenna types, pages 2 - 4
For maximum received signal strength the receiving antenna should be parallel to the one on the transmitter tower. In Australia we use both horizontal and vertical transmitting antennas. This means we can put two transmitters on the same channel much closer together that if we only used one polarisation. In some areas of Australia band 3 transmitters are vertically polarised and band 4 & 5 horizontal on the same transmitter tower. eg. Canberra and Wide Bay.
Particularly where vertical polarisation is used, the cabling between the antenna and the receiver must be well shielded otherwise the cable becomes a second antenna. The best cable for this is quad shielded RG6 cable, with F connectors on any "joins".
Dipole the Most Basic Antenna.
Dipole
This is the most fundamental antenna. This is your typical rabbit’s ears antenna with the metal rods folded out into a straight line. Its total length is related to the frequency to be received.
Length (mm) = 15 000/frequency (MHz). As examples for channel 0, (48.5 MHz) the antenna should be 3 metres long. Channel 6 (177.5 MHz) 842 mm, channel 69 (816.5 MHz) 183 mm. If the above formula is used it will be a maximum for that frequency.
The dipole has a figure of 8 directivity pattern, with the maximum sensitivity at right angles and in the same plane as the metal rods. End on it is not very sensitive. The front to back ratio is 0 dB or equally sensitive. If you look at the dipole end on it is omnidirectional.
The effect of the frequency or real channel number
It should be remembered that the gain is relative to a dipole at that frequency.
So if the field strength is 1 Volt/metre then a channel 6 (177.5 MHz) antenna has a dipole length of 0.842 m so the voltage from the dipole of this length tested at 177.5 MHz was 0.842 V.
Repeat this for channel 69 (816.5 MHz) the dipole length is 0.183 m. So its dipole output is 0.183 V with a 816.5 MHz signal.
So just by changing channels from 69 to 6 there is an of signal strength of 13 dB
So to get an antenna for channel 69 to give as much signal as one designed for channel 6 you need to add enough elements to increase the sensitivity of the antenna by 13 dB. Hence you pay for around the same amount of metal for the same voltage. It is just cut differently!
As a reminder there is usually an increase in power from the transmitter for the same coverage area of between 4 & 8 dB
As a result if you just use a dipole of the correct length and tested every channel the sensitivity varies by 2.4 dB with the least signal at channel 12.
Gain measured in dB
This is the logarithmic ratio of the signal power from the antenna under test to the signal power from a dipole at the test frequency. Usually, the bigger the better. This is usually achieved by focussing the signal on the dipole.
Height of the antenna above the ground. The closer you get to line of sight the better. Remember on long distances the earth is a sphere so the waves will have to bend over the horizon. Clearing trees and buildings and blocking terrain will have a dramatic effect. Also the higher the antenna the further it is from sources of impulse interference. Unfortunately the higher the antenna the longer the down lead will have to be. These cables have losses so there is an optimal height. This height depends on the channel in use, the cable characteristics and whether a masthead amplifier is being used to overcome the loss.
Antenna Types
The most common types in TV reception are
Yagi-Uda, Log Periodic and Phased Array See pages 2 - 4
Yagi-Uda
Hidetsugu Yagi, & Shintaro Uda invented the Yagi-Uda antenna in the Tohuku University, Japan, in 1926
This antenna has a dipole which is connected to the down lead via a balun. The dipole is commonly folded.
A reflector is placed on the side away from the transmitter to prevent signals from the back being received and to reflect any signals that got past the dipole.
Directors are placed parallel with the dipole to focus the electromagnetic waves on the dipole. The greater the number of directors the more sharply focused the antenna becomes and the stronger the signal. Remember using the sun through a magnifying glass lighting the paper!
The entire antenna is connected to earth except the dipole. A ferrite transformer is used to keep the dipole above earth (this is a balun), since the receiver end of the cable is likely to be earthed.
Log Periodic
This antenna was invented in the University of Illinois, USA in 1955
This antenna consists of cross connected dipoles. None of the antenna is earthed. It works by having a longer dipole behind acting as a short to signal from behind at that frequency. The dipole in front can have no function at all; act as a second dipole or as a director. This depends on the number of dipoles near that frequency. Since there are a large number of dipoles, a linear transformer is used to obtain the standard 75 ohm output to match the cable. Since the antenna must not be connected to earth either the whole antenna is not earthed or insulators are used on each dipole.
This antenna usually has a very good front to back ratio, and medium gain depending on the frequency range required and the number of dipoles.
An indoor Log Periodic Antenna is available. It should be used for UHF and be fed into the U section of a diplexer to remove interference for lower frequencies.
Phased Array
Assuming that all the other antennas are mounted horizontally, this antenna has an even number of dipoles mounted one above the other. Typically each of these dipoles is accompanied by a reflector. The vertical spacing is related to the frequency, as is the length of the dipoles. All of these antennas are earthed except the dipole.
Directivity in the horizontal direction is not great because there is only a dipole and a reflector. In the vertical direction the directivity is increased because of the stacking of the dipoles.
Quality of the signal
Carrier to noise ratio(c/n) usually measured in dB. It’s an indication of how strong the signal is compared to the noise. The noise may come from interference or the noise generated in an amplifier. This ratio can be improved by using a more directional antenna (One containing more elements)
The importance of this reading is that if the carrier and the noise are nearly equal, you have fallen over the digital cliff and you will see either no signal message or pixellation and sound plops.
Noise figure is the carrier to noise ratio at the output (dB) - carrier to noise ratio at the input of an amplifier. This figure for modern masthead amplifiers can be as low as 1 dB. This is how much worse the amplifier is making the carrier to noise ratio.
Bit Error Rate (BER) If the carrier to noise ratio is low, then there will be a large bit error rate. This can also be caused by reflected signals particularly those nearing the main signal's strength. This is where antenna design is important as is using an antenna which is directional enough.
Wave Propagation
Ideally signals used for DTV travel in straight lines, just like light. Light can be bent around objects and reflected.
So if you could use a telescope and see the top of the transmitter mast this is called "line of sight" and is a straight line. This gives the strongest signal, although the lower frequencies (real channel numbers" needs some clearance below this line (particularly half way between the transmitting and receiving antennas) for maximum signal. The best antenna type is a Yagi-Uda/Log Periodic for horizontal polarisation and a phased array for vertical.
If you use a powerful search light or the sun, you can usually see the light even though there is not a straight line between your eyes and the light source. This is because it will reject reflected signals from the sides of the antenna. This can be because of reflection or diffraction around an object. This object may be the earth. So if the signal is substantially diffraction, then you need to use the recommendations for a diffuse signal. This is a phased array for horizontal polarisation and Yagi-Uda/Log Periodic in vertical polarisation.
Lastly if the signals are travelling over 100 km or over substantial body of water, the temperature changes in the atmosphere, varies the density of the air. This causes the signals to bend either towards the earth or away from it. This is why some long distance reception occurs near cold fronts and at the end of summer days on the coast.
Comparison of Characteristics
Dipole: On its own is usually only used in indoor antennas and when bent into a near circle for boats. This is where we do not want directivity! These antennas are not very sensitive and some have in build amplifiers. The will pick up reflected signals and this gives ghosted images in analog and if it is bad enough will cause pixellation and sound plops. ie the Bit Error Rate (BER) will be high.
Yagi-Uda:They have a sensitivity which is related to the number of directors, but element for element, more gain in a restricted range of frequencies, the range widens as the frequency to be received increases. So for an antenna designed for channel 60 it will cover a greater range of channels than one at channel 6, all else being equal
It is less likely to receive lower frequencies from power line interference, car ignitions and high powered radio transmitters. This is because only the dipole is connected to the down lead.
Log Periodic:This antenna has less sensitivity but can maintain it over a wide range of frequencies. The gain is related to the range of frequencies and the number of dipoles.
Typical Log Periodic TV antennas designed for bands 3-5 cover this range as a complete coverage from 174 to 820 MHz plus. Since there is no TV channels between the top of channel 12 and the bottom of channel 28 this sensitivity is wasted on being sensitive to two way radio communications.
Phased Arrays:Since this antenna has better vertical directivity it is typically used for long distance and paths blocked by terrain and buildings. (Imagine looking at the sunset over the sea. What you see is a thin bright line on the horizon.) Reflected signals are usually not a problem in weak signals as they will be weaker.
Combined antennas: Your average bands 1-3, 4-5 antenna (Channels 2-12 + channels 28-69) consists of a Log periodic for bands 1-3 and a Yagi-Uda for bands 4 – 5.
Log periodics drop rapidly in sensitivity outside their design range which is why the older style combined antenna will not receive channels 11 & 12.
For Australian Digital TV no channel under channel 6 will be used so any sensitivity there makes you susceptible to interference causing pixellation and sound plops.
European Antennas
These are designed to receive channels 21-35. In Australia channels 21-26 are not used for TV but for communications including UHF CB radio. This 49 MHz is not only not required but can cause pixellation and sound plops if the interference is strong enough. Similarly their sensitivity extends past channel 68 making the antenna sensitive to mobile phones, which can also cause the above effects.
Vertically Polarised Signals
If reflected signals are a problem, phased arrays are better than Yagi-Udas and Log Periodics. If you want long distance or diffuse signals then multi element Yagi-Udas are the way to go.
Advertising
An element is a reflector, dipole or a director. All are mounted at right angles to the boom. I see advertised an SF91 antenna, if you look at a picture how many elements do you get? 22!
Impulse Interference
This causes the picture to break up and plops in the sound.
It is usually caused by switching of electrical devices in the house, dirty power line insulators (particularly after a long dry period then drizzle), petrol engines. This interference is picked up by the antenna and the cable to the receiver. Spikes on the mains cable are an unlikely cause. So spike suppressor power boards are usually ineffective.
Stopping this problem
Install an antenna according to your area. Geographic Viewers' Forums Then see Get the best reception. Which transmitter and which antenna
Use Quad shielded RG6 Coax cable and keep it away from electrical wiring. If it has to cross it keep it at right angles. Use F connectors.
The best way in areas where you still use analog channels 0-5A, 1-12 and/or FM, is to keep digital and analog wiring separate.
Areas which use Band 3 (Real channels 6-12)
Many of you have bought expensive antennas which are designed to receive channels 0-5A. If you are not using it for analog, then feed the antenna into a Bandpass Filter & triplexer.
If masthead amplifiers are being used see near the end of this post.
If band 3 is not used in your area, then get the correct UHF antenna and forget the paragraph above!
Separation of antennas on the mounting pole.
The theory is at least 1/2 wavelength separation. This would be around the length of the element which has the cable connected. If it is a log periodic, that will be the longest dipole.
All separations in the list below are in mm. For the lowest mounted antenna it is the roof particularly if it is metal.
Lowest edge of Band 3, Channel 6: 862
Lowest edge of Band 4, Channel 27: 288
Lowest edge of Band 5, Channel 35: 258
Channel 0: 3 333 mm
Channel 1: 2 679 3 410
Channel 2: 2 381
Channel 3: 1 765
FM radio: 1 714
If vertical polarisation is used I would double these figures.
Amplification
Masthead amplification is the best so that any signals picked up on the down lead is not amplified causing interference (pixellation and sound plops). They are necessary where there is low signal strength at the antenna and where long down lead is used. The cable loss depends on the cable length and the channel in use. Cable Loss Graph. Splitter amplifiers are required where more than 4 receivers/STB/Videos are used.
Amplifiers can make the situation worse. Where strong signals are amplified with weak ones the weak signal will have more interference than with no amplifier. This also occurs with a corroded antenna.
To assess overloading, use this technique prior to any amplification Measuring the real levels with a meter is much quicker and more exact.
Masthead Amplifier Overload
Any amplifier should be linear. This means the gain or amplification does not vary with the input signal voltage.
As the input signal voltage increases, at some point, the power supply voltage restricts the amplifier output. So you can get to the point where you may increase the input voltage for no change in the output. This is called overload, clipping or limiting.
There are two types of distortion which occur when the output is at or near limiting
• Harmonic distortion. If the input frequency is 1 kHz, then the output will contain 3, 5, 7… kHz. There can also be even harmonics, but they are usually less powerful.
• Intermodulation distortion. If the input contains 2 or more frequencies the following will occur. This example is for 2 kHz and 5 kHz
The output signal will contain;
f1 =2 kHz
f2-f1 = 5-2 = 3 kHz
f2 = 5 kHz
f1+f2 = 7 kHz
If more frequencies are present at the input every combination is produced.
These Effects on Masthead Amplifiers
Distortion in Masthead & splitter amplifiers along with the input to digital receivers will cause a poor Bit Error Rate.
Harmonic Distortion
There are two effects.
• The most important is that impulse interference can be the same voltage or larger than the TV signal. The harmonic distortion will produce huge numbers of harmonics, some of which will be in the frequency range of the TV signals you wish to watch. In digital this causes pixellation and sound breakup.
• Harmonics of one channel can affect another the worst case is channel 2’s harmonic is on channel 8. This can occur for all mainland capitals on Nine digital, and in Hobart on ABC digital. Other combinations are;
channel 5 analog to 9A digital
channel 7 to channel 30
channel 8 to channel 33
channel 9 to channel 36
channel 9A to channel 39
channel 10 to channel 42
channel 11 to channel 45
channel 12 to channel 48
In analog harmonic distortion causes the windscreen wiper effect, in digital unstable reception similar to the above.
Inter-modulation Distortion
The greater the number of high level signals the more chance there is for interaction. This is because the combinations of sum and difference frequencies will occur between all frequencies present. This is the reason Master Antenna Distribution Amplifiers have a single amplifier for each TV signal. This effect can only occur in amplification and modulation. So, the outputs of the channel amplifiers in the distribution system are just combined together with no additional distortion prior to distribution.
Minimising these problems.
• The higher the gain the greater the problem particularly if the signal strength at the input changes with the weather etc.
• Remove impulse interference prior to amplification so that it will not be added to the signal.
• Use antennas tuned to the frequencies of the stations you wish to view.
• Use quad shielded cable, a shielded amplifier box and keep this box at least a metre from any antenna.
Geographic Viewers' Forums Then see Get the best reception. Which transmitter and which antenna for the recommended antennas and amplifiers for your area.
Masthead Amplifier Survey
Difficult installations.
I have recommended a single masthead amplifier in the above posts. Where the signals are very weak, and more than one band is used you can get more gain by using two amplifiers at twice the price!
New Zealanders:
For DTV the only current masthead amplfiers you should use is Band 5 types for NZ channels 38 - 62 where possible or UHF amplifiers only otherwise.
For example 1
band 3 and 4(+)
Band 3
Kingray MHV44HLG Its gains are B3 44 dB B4-5 10 dB Feed the B3 antenna into the V input
Band 4 & 4+
Kingray MHU44G The gains are B1-3 -1 dB, B4-5 44 dB
Feed the B4 or 4+ antenna into the U input. The next choice is to feed the output of the B3 amplifier into the V input of this amplifier. You get more gain the other way around, but 54 dB is a huge gain.
Example 2
band 3 and 5
Kingray MHV44HLG Its gains are B3 44 dB B4-5 10 dB Feed the B3 antenna into the V input
Band 5
Kingray MHU44B5G B1-3 -1 dB, B5 44 dB
Feed the B5 antenna into the U input. The next choice is to feed the output of the B3 amplifier into the V input of this amplifier. You get more gain the other way around, but 54 dB is a huge gain.
In both cases the power is supplied from a PSK08 on a receiver end of the down lead. There is a link to allow the power to be fed through the B4 or B5 amplifier to the B3 amplifier. Check the instructions. Also remove the link connecting the V & U inputs together.
Splitting Signals
Losses are like this
2 outlet 3 dB
3 outlet 5 dB
4 outlet 6 dB
5 outlet 7 dB
6 outlet 8 dB
7 outlet 8 dB
8 outlet 9 dB
These are theoretical losses. Actual losses will be greater than this by a few dB depending on if it is VHF or UHF.
Masthead amplifers should not be used, use an amplified splitter instead. The difference is that amplified splitters have a gain of around 10 dB which matches the sort of losses shown above. Masthead amplifiers are designed for very small voltages where as splitting ampllifiers are designed for larger voltages so overloading is much less likely.
The signal strength display is not linear so half the signal will only produce a small drop. All receivers have automatic gain controls which are logarithmic as the list of dBs is.
Provided each outlet has a receiver or terminator plugged in, which is the assumption in the second point, and the resulting signal strength is high enough you will not see any difference. You should look when it is raining and switch on some electrical appliances such as fluro lights, and devices with motors in them.
Lastly most receivers have an antenna input and an RF output. I would use this output to feed the next card as the losses in the split are usually amplified by that amount of loss.
Faultfinding
Bit Error Rates of more frequent than 1 error in every 10 000 bits, cannot guarantee pixellation and chirp free reception.
This BER indicates the amount of errors found in the signal from the transmitter. The signal contains extra data for error detection and correction. This measurement in receivers is often called quality.
The problem is if the error rate is too high what is causing it?
The usual causes are;
1. Insufficient signal or excessive noise.
2. Delayed signals from either reflections or another SFN transmitter.
3. Additional signals from either impulse interference or intermodulation occurring in overloaded Masthead amplifiers or corrosion in the antenna.
4. Antenna corrosion Affected channels are
Channel 2 analog to channel 8
channel 5 analog to 9A
channel 7 to channel 30
channel 8 to channel 33
channel 9 to channel 36
channel 9A to channel 39
channel 10 to channel 42
channel 11 to channel 45
channel 12 to channel 48
How do you separate these factors?
1. The carrier to noise ratio (measured in dB) if this ratio is low then you need more signal from the transmitter. This can be achieved by one or more of the following methods.
- Increase or vary the elevation of the antenna, change the antenna location.
- Ensure the antenna design channel range matches that of the channels being used.
- Minimise the loss from the antenna to the receiver through the use of the shortest low loss cable.
- Increase the directivity of the antenna to focus more signal onto its dipole.
- For longer distances you need to increase the capture area by reducing the vertical acceptance angle and keeping a horizontal acceptance angle. (Think of a sunset as a thin horizontal line on the horizon).
- Use a masthead amplifier to overcome cable losses.
3. To reduce the level of impulse interference which will give sporadic high BER and low C/N readings, the following will help.
- Use quad shielded RG6 cable and F connectors.
- Ensure the antenna is only designed to receive the channels in use. Therefore in Australia no antennas designed to receive channels 0-5A
- If a masthead amplifier is used it must have a filter on its input to pass only the channels of interest, otherwise the impulse interference will get worse.
- In severe cases a 160 MHz high pass filter and even a braid breaker can be used at the receiver to minimise the interference picked up on the cable. This is also useful where AM, FM, two way radios, CB and amateur radio transmitters give trouble.
- Where some channels are much stronger than others or all signals are strong, the gain of any masthead amplifier must be reduced because you will get interfering signals in the channels you really want.
Identify the source of impulse interference The AM radio technique can also be used for identifying cracked high voltage insulators on power lines in the street. - So if you get a high BER and a low C/N you need to get more signal, if C/N is high and the BER is poor then look at points 2 & 3. Point 3 is likely to cause rapid variations in BER and C/N.
Is there a digital antenna as opposed to an analog antenna?
Analog
- Vision uses vestigial sideband and a pair of FM modulated carriers for Sound. Colouring signals are double sideband suppressed carrier.
- So as the signal strength goes down you get more noise appearing as dots and the sound is generally unaffected until it drops out of limiting.
- So for vision there is a gradual reduction in quality as compared to signal strength.
- Secondly any reflected signals will appear to the left of the original signal so antenna directivity is used to remove these ghosts.
- Impulse noise appears as rows of dots with the sound generally unaffected.
Digital
- DVB-T uses 1705 of carriers spread over the 7 MHz bandwidth. This is the same bandwidth used for analog. It is like using parallel data, one carrier per bit.
- Digital uses channels adjacent to analog ones, this includes high power transmitters. You cannot use adjacent analog channels because the interference is horrific. Digital receivers can reject the analog signals, but the analog TVs cannot. So digital is transmitted at a quarter of the power of the analog transmitters to prevent interference to analog signals.
- Some interference and noise rejection is achieved by limiting the number of discrete levels which need to be received. In digital it is a maximum of 32 in analog it could be infinite but is usually limited to a range of 10000:1 for good pictures. However, since the information is more densely packed, the visual and auditory effect is much greater if the interference or noise is detected by the receiver. There is a limited amount of error correction. Hence the "digital cliff". This where the signal strength into the receiver keeps dropping. There will be no effect on the superb quality until it suddenly pixellates as mentioned in the next paragraph.
- If impulse noise is added to a digital signal errors occur, the will cause pixellation (picture breaks up in to blocks and either a gap in sound or a squawk).
The effect of the above on antenna design
- Since the amplitude of impulse noise from sparking in switches, power lines etc increases as the frequency decreases the ACMA has decreed that there will be no digital transmitters below 174 MHz (Channel 6) So your antenna should not be designed like many are to receive from 45 to 144 MHz (channel 0-5A) They pick up interference well and that metal work could be used to increase gain in the required channels above channel 5A.
- Without signals below 174 MHz, masthead amplifiers can be set to a higher gain particularly if they have a bandpass filter in their inputs. Then it will only amplify the wanted signal and not overload on unwanted signals. This cause intermodulation distortion and interfere with the wanted signals.
- As in good telecommunications practice you should use an antenna which is designed to cover the frequency range in use. This varies all over the country so see “Get the best reception. Which transmitter and which antenna” in the geographic forums at the bottom of the home page of the main forum.
- Digital ready antennas are typically advertised in areas where digital is using channel 11 & 12 which is all capital cities (except Canberra and Darwin). These channels have been added since digital. So what has happened is that a lot of digital ready antennas are designed from channels 1-12,+ 28-35. These antennas are not ideal. Some add an F connector for a more reliable connection with less reflections.
- Antenna gain is a issue because of the lower transmitted power and the pick up of impulse noise not only in the antenna but also in the down lead. Remember the effect of some impulse noise on analog TV is usually some intermittent or continuous rows of dots. So as long as the signal to noise ratio is adequate impulse noise will not be seen.
- They are usually quite small on the screen. There is no effect on the sound. In digital the picture breaks up into much larger squares and the sound either is muted or produces a loud screech. You miss an important part of the plot!
- Directivity may or may not be an issue. Since many carriers are used this makes each pulse longer. So short term reflected signals can be ignored by the receiver. Decoding will be perfect.
The ACMA is now specifying Single Frequency Networks (SFN) in some areas of Sydney, Central Coast NSW, Newcastle, Melbourne, Gold Coast, Sunshine Coast and Cairns. - Lastly the ACMA has to make duplicates of all analog transmitters in digital and not use channels 0-5A. This can mean different antennas are required. Sometimes the polarisation changes as well. There are also a number of high powered sites using vertical polarisation for VHF and horizontal polarisation for UHF.
- If you take the Darling Downs as an example all stations are in band 4+ (channel 28-50) with Southern Cross on channel 0. This antenna should be removed when converting to digital. In Toowoomba, all stations are in band 5 so no antenna changes should be required provided the installation is in good condition. The ACMA has tried to allocate digital channels in the same band as analog ones so that a minimum number of households have to buy new antennas.
- So yes there can be differences between digital and analog antennas particularly at VHF.
- Questions on this post should be in this strand.
hdtvprimer.com/ANTENNAS/basics
Australian Conversions
Antenna Basics
A TV channel in Australia will always occupy 7 MHz of this spectrum. For digital TV this is
Band 3 Channels 6-12, 174-230 MHz,
Band 4 Channels 27-35, 519-582 MHz
Band 4+ Channels 28-50, 526-687 MHz
Band 5 Channels 36-69, 582-820 MHz
“RG-6 will lose 1 dB of the signal every 18 feet at channel 52” 1dB for every 5.5 m at 700 MHz which is at our channel 52. This author recommends a mast-mounted amplifier whenever the cable length exceeds 6 m.
Cable losses graph is per 30 m.
“When the cable run is longer than 200 feet, the low-numbered channels can become too strong relative to the high-numbered channels.” 200 feet = 60 m. Masthead amplifiers are recommended on my “Get the Best Reception” posts use input filters for the channels used in that viewing area which can overcome this problem.
If you wish to use those staples they are 14 mm wide.
Distribution amplifier used when the cable is more than 45 m
For DTV in Australia, as long as the antenna is designed for band 3 or above an FM filter should only be required close to FM stations. You would be better off with a 174 MHz high pass filter and cut FM and most other interference out.
The NEC requirements do not apply here use the SAA Wiring Rules AS/NZS 3000:2007 and state legislation. Our TVs do not earth the antenna input into the tuner as most equipment is double insulated and earth is not connected at all.
Common TV Antenna Types
“A UHF Yagi today is designed for channel 69. If you see an old Yagi, it might be intended for channel 82. In the future they will be cut for channel 51.”
Channel 69 is 800 – 806 MHz which is approximately our channel 67.
Channel 82 is 884 MHz which is in mobile phone territory (including Next G) in Australia and probably the US.
Channel 51 is 692-698 MHz which is about our channel 52
The highest US channel is now channel 69 where as we go to 820 MHz, which is the top edge of channel 69.
AlanH
