Similar variations in broadcasting coverage area arise with Digital Radio Mondiale. A more complex modulation constellation (64-QAM) requires a higher Effective Radiated Power if it is to achieve a similar coverage area to a less complex modulation constellation (16-QAM). [For a description of Quadrature Amplitude Modulation, see http://en.wikipedia....tude_modulation.]
DRM30 (Digital Radio Mondiale for bands below 30MHz) has been proposed for consideration as a possible standard for use in local regional digital radio broadcasting in Australia. (It is a different standard to the DAB+ standard already in use in certain metropolitan areas in Australia).
DRM30
With DRM30 the main service channel may be modulated at 64-QAM or 16-QAM. Nominal bandwidths of 9kHz or 10Khz are usual (although 4.5kHz, 5kHz, 18kHz and 20kHz are also included in the standard). Other parameters are also defined ('robustness", and "protection level").
Table A1.1 on page 69 of EBU Tech 3330 is headed:
S/N (dB) to achieve BER of 1 x 10–4 for all DRM robustness modes with spectrum occupancy types 2 or 3 (9 or 10 kHz) dependent on modulation scheme and protection level for channel model No. 1
Note: Channel model No. 1 “represents the typical behaviour of a transmission channel with ground-wave propagation during daytime in LF and MF bands”.
The table includes the following figures for a nominal transmission bandwidth of 9kHz:
16-QAM (with protection level 0): 8.6 dB
64-QAM (with protection level 0): 14.1 dB
64-QAM (with protection level 1): 15.3dB
It will be noted that the difference between using 16-QAM and 64-QAM (if both use protection level 0) is 14.1 – 8.6 = 5.5dB.
The difference between 16-QAM (with protection level 0) and 64-QAM (with protection level 1) is 15.3 – 8.6 = 6.7 dB.
A field trial in Spain found somewhat smaller differences. See page Table II on page 3 of Minimum C/N Requirements for DRM Reception based on Field Trials which shows figures of:
16-QAM (with protection level 0): 10.2 dB
64-QAM (with protection level 1): 15.0dB
This is a difference of 15.0 – 10.2 = 4.8 dB.
4.8dB corresponds to a power ratio of 3:1. So, for example, based on the particular field trial, if a 5kW transmitter were needed using 16-QAM, a 15kW transmitter would be needed for a similar coverage area using 64-QAM.
DRM+
With DRM+, 16-QAM and 4-QAM are defined. A field test (see page 15 of Preliminary report : DRM+ measurementsin band II) found these results:
Tests were made at a frequency of 95.2 MHz in urban surroundings and on a radial route passing through the city of Hanover and rural environments in the main beam of the transmission. Measurements of the fieldstrength, the bit error rate, the calculated signal to noise ratio and the audio status show that in 4-QAM mode with a coderate of 0.33 reception with good audio quality was possible down to a fieldstrength of around 30 dBµV/m and a calculated SNR of 10 dB. In the 16-QAM mode reception was possible down to 46 dBµV/m at an SNR of around 18 dB.
So in that field test, the difference between using 16-QAM and 4-QAM corresponded to a difference in SNR of about 18 – 10 = 8dB.
Based on this field test, a DRM+ transmitter would need to use 8dB more power, if using 16-QAM rather than 4-QAM. 8dB corresponds to a power ratio of 6.3:1. An online conversion tool for decibels to power or voltage ratios can be found at http://www.mogami.com/e/cad/db.html
Comment
Implementations of DRM30 allow a wide range of choice of transmission settings, not only modulation constellation, but “robustness” and “protection level”. These all influence the coverage area that can be achieved.
The audio bitrate that can be supported for the main service channel varies widely depending on these settings. Settings that increase coverage area reduce the audio bitrate available.
For a general and relatively non-technical presentation of DRM30 protection modes, and some of the corresponding audio bitrates,* see the webpage http://www.drmradio.co.uk/modes.html
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EDIT: The following footnote to the last paragraph above does not relate to coverage, but to audio quality.
* Assessments of the perceived audio quality of audio codecs at low bitrates vary greatly between human listeners. However in my opinion the following part of the webpage may err on the generous side in its descrption 'near FM quality':
Only the higher bit rates available in Mode A and Mode B could be described as ‘near FM quality’ - the main selling point of DRM. However to achieve these higher bit rates the protection ratio has to be kept low so the received signal is more susceptible to interference or fading.
The table for a 9kHz transmission bandwidth shows a maximum bitrate of 30.8kbps. If this modest biitrate were used for non-parametric stereo in conjunction with the AAC+ codec, the resulting sound quality would be quite "ordinary" for many listeners. Whether it would actually reach the standard of 'near FM quality' [whatever that means exactly] for some 'hypothetical average listener' could be debated.
A nominal 18kHz radio frequency bandwidth could double the available audio bitrate. However, world implementaions of DRM to date do not -- to the best of my knowledge -- use such a high bandwidth.
Edited by MLXXX, 19 August 2012 - 10:52 AM.











